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Nora Ephron
Week of August 21, 2000
When
Nora Ephron spoke at Wellesley College Commencement in 1979, she
said "We were born into a society that expected us to be good
girls. . . . We were sent off into a college environment that expected
us to grow up to be soothing women, women who could preside at the
dinner table or at a committee meeting and when two people disagreed,
we would be intelligent enough to step in, soothingly, to point
out the remarkable similarities between the opposing positions.
We were to spend our lives making nice." While admitting that
Wellesley had changed since her day, she believed it still did not
produce the kind of troublemakers the world needed. "I hope
you will find some way to break the rules and make a little trouble
out there. I also hope you'll choose to make some trouble on behalf
of women."
Ephron was the oldest of the four daughters of Phoebe and Henry
Ephron, successful playwrights and Hollywood screenwriters. She
and her sisters Delia, Hallie and Amy sometimes were the inspiration
for parts of their parents' writing. The play Take Her, She's
Mine, was a comedy based on Nora's letters home from Wellesley
College.
A
political science major, Ephron served as a Washington Intern in
the White House office of Pierre Salinger. Her senior year she was
Associate Editor of the Wellesley College News.
After graduating from Wellesley College in 1962, Ephron worked
for several years as a journalist in New York. Her columns, which
appeared in a number of magazines, notably Esquire and New
York, "revealed wry and perceptive observations of relationships
between women and men which helped readers laugh." In a 1972
essay, "Fantasies," Ephron wrote that the women's movement
helped her see the need for new types of stories, stories that would
free women from sexual submissiveness. She published collections
of essays: Crazy Salad (1975) and Scribble, Scribble
(1978). Heartburn (1983), a novel, was based on the breakup
of her marriage to Carl Bernstein, famous for his exposé
of the Watergate scandal.
In
the 1980s Ephron turned her attention to film, first as a writer
[Silkwood, Heartburn, Cookie, When Harry
Met Sally, and My Blue Heaven]; then as producer and
director. "Movies," Ephron said in an interview, "are
the literature of this generation, and all subsequent generations.
It's exciting to know that if you make a movie that in some way
works, you're going to reach people, to become part of their autobiography.
Just as you went to movies when you were a kid and got all your
ideas about x or y from the movies, you can be part of that for
people, you can give that."
Ephron received Academy Award nominations for the screenplays of
Silkwood (1984), When Harry Met Sally (1990) and Sleepless
In Seattle (1994). When Harry Met Sally also was nominated
for a Golden Globe award.
For Ephron's 1996 Wellesley College Commencement address
http://www.wellesley.edu/PublicAffairs/Commencement/1996/speechesnephron.html
Written by Wilma Slaight
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