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Past Exhibitions

American Experience
April 30 – June 8, 2008

Grand Scale: Monumental Prints in the Age of Dürer and Titian
March 19 – June 8, 2008

Jem Southam: Upton Pyne
March 19 – June 8, 2008

Global Feminisms
September 19 - December 9, 2007

"Don't Look." Contemporary Drawings from an Alumna's Collection (Martina Yamin, class of 1958)
September 19 - December 9, 2007

On the Edge: Contemporary Chinese Artists Encounter the West

February 15 - May 24, 2006

Xu Bing: "Any Opinions?"
February 15 - June 3, 2006

Extended Boundaries
October 19 - December 18, 2005

Hold: Vessel 1
An Installation by Lynette Wallworth

September 28 - December 18, 2005

Brice Marden: Etchings to Rexroth
September 14 - December 18, 2005

Aaron Noble
Artist-in-Residence / Site-Specific Lobby Wall Project

September 14 - December 18, 2005

The "Master Prints" of Hendrick Goltzius and Mannerist Art
March 9, 2005 - June 19, 2005

GHADA AMER
The Reign of Terror

Installation
March 9, 2005 - June 19, 2005

The Observed and the Envisioned: 16th- to 19th- Century Indian Miniature Paintings of Mughal and Rajput Women
March 9, 2005 - June 19, 2005

Circles of Healing, Circles of Peace: Sacred Sand Mandala Created by Tibetan Buddhist Nuns
Installation
February 16, 2005 - March 1, 2005

Valery Koshlyakov
October 19, 2004 - January 16, 2005

American Identities: Twentieth Century Prints from the Nancy Gray Sherrill, Class of 1954, Collection
September 17, 2004 - December 14, 2004

Infinite Possibilities: Serial Imagery in 20th-Century Drawings
September 9, 2004 - December 12, 2004

Steve McQueen
March 18, 2004- June, 29, 2004

Selected Recent Acquisitions: Contemporary Art
September 18, 2003 – February 15, 2004

Dancing Cranes
September 18, 2003 - February 15, 2004

Illuminating Time: Books of Hours
November 19, 2003 - February 8, 2004

Two and One: Printmaking in Germany, 1945 - 1990
October 9, 2003 - January 18, 2004

Fazal Sheikh: A Camel for the Son ·Ramadon Moon ·The Victor Weeps
February 13, 2003 – June 8, 2003

Bridging the Border: Shared Themes in Mexican and US Art 1900 - 1950
March 18, 2003 – June 8, 2003

The Space Between: Artists Engaging Race and Syncretism
March 18, 2003 – June 8, 2003

The Last Expression: Art and Auschwitz
January 7, 2003 – February 14, 2003

Interlude: Recent Work by James Rayen
September 24, 2002 – December 15, 2002

Artist's Choice: Works from the Permanent Collection
September 24, 2002 – December 15, 2002

Women Who Ruled: Queens, Goddesses, Amazons 1500 - 1650
September 19, 2002 – December 8, 2002

Selected Recent Acquisitions: Prints
September 19, 2002 – December 8, 2002

Surrounding Interiors: Views Inside the Car
February 21, 2002 – June 9, 2002

About Away
April 9, 2002 – May 26, 2002

Committed to Paper: The Media of American Modernism, 1900 - 1930
January 25, 2002 – March 31, 2002

Versailles and the Age of Louis XIV
April 9, 2002 – June 14, 2002

Obituary
September 4, 2001 – December 30, 2001

Japan from Somewhere Else
October 16, 2001– December 30, 2001

Bricks and Mortarboards: Wellesley College 1875 - 1975
March 29, 2001– June 17, 2001

Cold War Modern: The Domesticated Avant-garde
September 15, 2001 – June 17, 2002

Culture as a Living Condition
April 17, 2001 – June 17, 2001

Spiritual Journeys
September 15 – December 9, 2000

Village Works: Photographs by Women in China's Yunnan Province
September 14 – January 9, 2000

African Art In/Out of Context
September 10, 1998 – present

The Occidental Tourist
September 14, 1999 – December 12, 1999

Mexico City 1941: Photographs by Helen Levitt
March 11 – June 6, 1999

With an Educating Eye: Works by Wellesley College Studio Faculty
February 18 – June 6, 1999

Women of Influence: Gender and the American Civil War
January 26 – April 25, 1999

Secret Gallery
October 15 – December 31, 1998

Forgotten Streets: Urbanization and the Underclass
September 10 – December 31, 1998

Consuming Passions: Photography and the Object
October 15 – December 31, 1998

Collection as Classroom: Teaching Exhibitions at Wellesley
September 10 – December 31, 1998

Perceptive Acts: Installation Works by Rachel bas-Cohain, Rebecca Horn, Erickson/Ziegler, Lorna Simpson,
and Dana Kane
September 10 – December 31, 1998

Who Are You? Selected Works by Adrian Piper
March 11 – August 16, 1998

Eastern Views: Ink Drawing Techniques in China and the West)
Spring 1998

The Multiple
Spring 1998

MEMORY: Luba Art and the Making of History
February 5 – June 7, 1998

I Need to See You: Photographic Works by Judith Black
September 2, 1997 – January 11, 1998

Buildings Through Trees: Framing the Picturesque
September 30, 1997 – December 21, 1997

Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
September 2 – November 30, 1997

Inspiring Reform: Boston's Arts and Crafts Movement
February 28, 1997 – July 14, 1997

Phyllis McGibbon: Radiant Brooder and Other Works
September 12, 1996 – January 12, 1997

Earth Grows Thick: Works after Emily Dickinson by Roni Horn
October 22, 1996 – December 29, 1996

Acid Bites: Intaglio Printmaking in Wellesley College Collections
October 22, 1996 – December 29, 1996

Rules of the Game
July 30 – September 30, 1996

Working America: Government Funded Photography of the Depression Era
May 30 – August 18, 1996

Margarett Sargent: A Modern Temperament
March 21 – July 7, 1996

Home Is Where
February 2 – June 9, 1996

RE:formations/design directions at the end of a century
February 2 – June 9, 1996

Obstructed Views: Mapping the Unfamiliar
February 10 – May 19, 1996

Sites of Convergence: Sacred Objects from Four Cultures
September 8, 1995 – March 31, 1996

Willem de Kooning's Door Cycle
October 12, 1995 – February 26, 1996

From the Studio: New Work by Art Department Faculty
September 8 – December 31, 1995

Michael Singer's Ritual Series 1988/Retellings
March 16 – September 17, 1995

Imagined Children, Desired Images
April 21 – June 4, 1995

Tender Buttons: Photographs of Women's Domestic Objects by Rose Marasco
April 21 – June 4, 1995

For My Best Beloved Sister Mia: An Album of Photographs by Julia Margaret Cameron
April 21 – June 4, 1995

The Spirit, the Senses, the Mind: 17th-century Netherlandish Works from the Collection
January 27 – March 19, 1995

Modern Hieroglyphs: Gestural Drawing and the European Vanguard 1900 - 1918
January 27 – March 19, 1995

Contemporary Porcelain from Japan
October 27, 1994 – February 19, 1995

Bodies and Boundaries 1500-1800: Works from Wellesley Collections
September 9 – December 18, 1994

The Body as Measure
September 9 – December 18, 1994

The Matter of History: Selected Works by Annette Lemieux
April 1 – June 19, 1994

Tradition and Innovation: Woodcuts and Relief Prints from Wellesley College Collections
March 11 – April 24, 1994

On View 1993: Works by the Wellesley College Studio Faculty
December 10, 1993 – February 27, 1994

Embodying Personhood in Prehispanic Costa Rica
October 15, 1993 – January 16, 1994

Elaine Spatz-Rabinowitz: Recent Work
October 15 – December 9, 1993

Woman Photographers in the Collection
October 15 – November 28, 1993

Flemish Drawings in the Age of Rubens
October 15 – November 28, 1993

© 2004 - Davis Museum and Cultural Center
Provider Name: Jim Olson - jolson@wellesley.edu
Created: January 14, 2003
Last Modified: January 23, 2008
Expires: March 19, 2009
above: Fazal Sheikh, Abdul Aziz holding a photograph of his brother, Mula Abdul Hakim. Afghan refugee village , Badabare, Northwestern Frontier Province, Pakistan (detail), 1997. Toned gelatin silver print. From The Victor Weeps, © Fazal Sheikh. above: Lynette Wallworth, Still from the multimedia installation Hold: Vessel 1, 2001. Courtesy of and commissioned by the Australian Centre for the Moving Image, Melbourne, Australia. above: Sui Jianguo, Made in China, 2002. Resin, 60 x 35.5 x 80cm. Jean-Marc Decrop collection.