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Global Feminisms
September 19 - December 9, 2007
"Don't Look." Contemporary Drawings from
an Alumna's Collection (Martina Yamin, class of 1958)
September 19 - December 9, 2007
On the Edge: Contemporary
Chinese Artists Encounter the West
February 15 - May 24, 2006
Xu Bing: "Any Opinions?"
February 15 - June 3, 2006
Extended Boundaries
October 19 - December 18, 2005
Hold: Vessel 1
An Installation by Lynette Wallworth
September 28 - December 18, 2005
Brice Marden: Etchings
to Rexroth
September 14 - December 18, 2005
Aaron Noble
Artist-in-Residence / Site-Specific Lobby Wall Project
September 14 - December 18, 2005
The "Master Prints" of
Hendrick Goltzius and Mannerist Art
March 9, 2005 - June 19, 2005
GHADA AMER
The Reign of Terror
Installation
March 9, 2005 - June 19, 2005
The Observed and
the Envisioned: 16th- to 19th- Century Indian Miniature Paintings
of Mughal and Rajput Women
March 9, 2005 - June 19, 2005
Circles of Healing, Circles
of Peace: Sacred Sand Mandala Created by Tibetan Buddhist Nuns
Installation
February 16, 2005 - March 1, 2005
Valery Koshlyakov
October 19, 2004 - January 16, 2005
American Identities: Twentieth
Century Prints from the Nancy Gray Sherrill, Class of 1954, Collection
September 17, 2004 - December 14, 2004
Infinite Possibilities: Serial
Imagery in 20th-Century Drawings
September 9, 2004 - December 12, 2004
Steve McQueen
March 18, 2004- June, 29, 2004
Selected Recent Acquisitions:
Contemporary Art
September 18, 2003 – February 15, 2004
Dancing Cranes
September 18, 2003 - February 15, 2004
Illuminating Time:
Books of Hours
November 19, 2003 - February 8, 2004
Two and One: Printmaking in
Germany, 1945 - 1990
October 9, 2003 - January 18, 2004
Fazal Sheikh: A Camel for
the Son ·Ramadon
Moon ·The Victor Weeps
February 13, 2003 – June 8, 2003
Bridging the Border: Shared Themes in
Mexican and US Art 1900 - 1950
March 18, 2003 – June 8, 2003
The Space Between: Artists Engaging Race
and Syncretism
March 18, 2003 – June 8, 2003
The Last Expression: Art and Auschwitz
January 7, 2003 – February 14, 2003
Interlude: Recent Work by James Rayen
September 24, 2002 – December 15, 2002
Artist's Choice: Works from the Permanent
Collection
September 24, 2002 – December 15, 2002
Women Who Ruled: Queens, Goddesses, Amazons
1500 - 1650
September 19, 2002 – December 8, 2002
Selected Recent Acquisitions: Prints
September 19, 2002 – December 8, 2002
Surrounding Interiors: Views Inside the Car
February 21, 2002 – June 9, 2002
About Away
April 9, 2002 – May 26, 2002
Committed to Paper: The Media of American
Modernism, 1900 - 1930
January 25, 2002 – March 31, 2002
Versailles and the Age of Louis XIV
April 9, 2002 – June 14, 2002
Obituary
September 4, 2001 – December 30, 2001
Japan from Somewhere Else
October 16, 2001– December 30, 2001
Bricks and Mortarboards: Wellesley College
1875 - 1975
March 29, 2001– June 17, 2001
Cold War Modern: The Domesticated Avant-garde
September 15, 2001 – June 17, 2002
Culture as a Living Condition
April 17, 2001 – June 17, 2001
Spiritual Journeys
September 15 – December 9, 2000
Village Works: Photographs by Women in China's
Yunnan Province
September 14 – January 9, 2000
African Art In/Out of Context
September 10, 1998 – present
The Occidental Tourist
September 14, 1999 – December 12, 1999
Mexico City 1941: Photographs by Helen Levitt
March 11 – June 6, 1999
With an Educating Eye: Works by Wellesley College Studio Faculty
February 18 – June 6, 1999
Women of Influence: Gender and the American Civil War
January 26 – April 25, 1999
Secret Gallery
October 15 – December 31, 1998
Forgotten Streets: Urbanization and the Underclass
September 10 – December 31, 1998
Consuming Passions: Photography and the Object
October 15 – December 31, 1998
Collection as Classroom: Teaching Exhibitions at Wellesley
September 10 – December 31, 1998
Perceptive Acts: Installation Works by Rachel bas-Cohain, Rebecca
Horn, Erickson/Ziegler, Lorna Simpson,
and Dana Kane
September 10 – December 31, 1998
Who Are You? Selected Works by Adrian Piper
March 11 – August 16, 1998
Eastern Views: Ink Drawing Techniques in China and the West)
Spring 1998
The Multiple
Spring 1998
MEMORY: Luba Art and the Making of History
February 5 – June 7, 1998
I Need to See You: Photographic Works by Judith Black
September 2, 1997 – January 11, 1998
Buildings Through Trees: Framing the Picturesque
September 30, 1997 – December 21, 1997
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander,
and Geoffrey James
September 2 – November 30, 1997
Inspiring Reform: Boston's Arts and Crafts Movement
February 28, 1997 – July 14, 1997
Phyllis McGibbon: Radiant Brooder and Other Works
September 12, 1996 – January 12, 1997
Earth Grows Thick: Works after Emily Dickinson by Roni Horn
October 22, 1996 – December 29, 1996
Acid Bites: Intaglio Printmaking in Wellesley College Collections
October 22, 1996 – December 29, 1996
Rules of the Game
July 30 – September 30, 1996
Working America: Government Funded Photography of the Depression
Era
May 30 – August 18, 1996
Margarett Sargent: A Modern Temperament
March 21 – July 7, 1996
Home Is Where
February 2 – June 9, 1996
RE:formations/design directions at the end of a century
February 2 – June 9, 1996
Obstructed Views: Mapping the Unfamiliar
February 10 – May 19, 1996
Sites of Convergence: Sacred Objects from Four Cultures
September 8, 1995 – March 31, 1996
Willem de Kooning's Door Cycle
October 12, 1995 – February 26, 1996
From the Studio: New Work by Art Department Faculty
September 8 – December 31, 1995
Michael Singer's Ritual Series 1988/Retellings
March 16 – September 17, 1995
Imagined Children, Desired Images
April 21 – June 4, 1995
Tender Buttons: Photographs of Women's Domestic Objects by Rose
Marasco
April 21 – June 4, 1995
For My Best Beloved Sister Mia: An Album of Photographs by Julia
Margaret Cameron
April 21 – June 4, 1995
The Spirit, the Senses, the Mind: 17th-century Netherlandish Works
from the Collection
January 27 – March 19, 1995
Modern Hieroglyphs: Gestural Drawing and the European Vanguard 1900
- 1918
January 27 – March 19, 1995
Contemporary Porcelain from Japan
October 27, 1994 – February 19, 1995
Bodies and Boundaries 1500-1800: Works from Wellesley Collections
September 9 – December 18, 1994
The Body as Measure
September 9 – December 18, 1994
The Matter of History: Selected Works by Annette Lemieux
April 1 – June 19, 1994
Tradition and Innovation: Woodcuts and Relief Prints from Wellesley
College Collections
March 11 – April 24, 1994
On View 1993: Works by the Wellesley College Studio Faculty
December 10, 1993 – February 27, 1994
Embodying Personhood in Prehispanic Costa Rica
October 15, 1993 – January 16, 1994
Elaine Spatz-Rabinowitz: Recent Work
October 15 – December 9, 1993
Woman Photographers in the Collection
October 15 – November 28, 1993
Flemish Drawings in the Age of Rubens
October 15 – November 28, 1993
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