http://www.davismuseum.wellesley.edu/whatsnew/podcast.html Davis Museumcasts are podcasts created by the Davis Museum and Cultural Center at Wellesley College. Content includes tours of the collection and special exhibitions, interviews with artists, faculty and staff, and podcasts created by Wellesley College students. Mon, 12 Jun 2006 16:44:49 GMT ListGarden Program 1.3.1 http://blogs.law.harvard.edu/tech/rss Copyright 2009 Davis Museum jolson@wellesley.edu Davis Museum and Cultural Center Jim Olson jolson@wellesley.edu museum, art, davis, tour, podcast, audio, education, cultural, college, museums, Wellesley This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. The poems are read by Wellesley College students, faculty, or staff and include an image of each etching. This track features an introduction by Rachel A. Kaston, Class of 2010. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/00_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:03:09 GMT 00:48 poems, poetry, etchings, Davis, Museum, introduction, 21 Etchings and Poems, Rachel Kaston No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Shannon Flaherty, Class of 2008, reading The Hand that Signed the Paper Felled a City by Dylan Thomas. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Peter Grippe, director of the renowned Atelier 17 print workshop, who initiated the project. The result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/01_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:11:09 GMT 00:52 poems, poetry, Peter Grippe, Davis Museum, Dylan Thomas, 21 Etchings and Poems, Shannon Flaherty No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Ally Brown, Class of 2011, reading The Blue Waterfall (Hokosai 1760-1849) by Horace Gregory. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Ezio Martinelli. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/02_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:15:11 GMT 01:31 poems, poetry, Horace Gregory, Davis Museum, Ezio Martinelli, 21 Etchings and Poems, Ally Brown No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Elaine Mehalakes, Kemper Curator of Academic Programs, reading Underworld by Alastair Reid. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Kurt Roesch. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/03_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:19:57 GMT 01:03 poems, poetry, Alastair Reid, Davis Museum, Kurt Roesch, 21 Etchings and Poems, Elaine Mehalakes No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Meaghan B. Daley, Class of 2010, reading To Yeats in Rapallo by Theodore Weiss. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Fred Becker. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/04_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:21:34 GMT 0:53 poems, poetry, Fred Becker, Davis Museum, Theodore Weiss, 21 Etchings and Poems, Meaghan Daley No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Jessica Planos, Class of 2010, reading Praise to the End! (Part One) by Theodore Roethke. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Adja Yunkers. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/05_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:37:45 GMT 0:52 poems, poetry, Adja Yunkers, Davis Museum, Theodore Roethke, 21 Etchings and Poems, Jessica Planos No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Ran Tao, Class of 2009, reading a poem by Christian Dotremont. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Pierre Alechinsky. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/06_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:39:45 GMT 0:37 poems, poetry, Pierre Alechinsky, Davis Museum, Christian Dotremont, 21 Etchings and Poems, Ran Tao No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Alexa Miller, Curator of Education, reading Revenge by Harold Rosenberg. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Willem de Kooning. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/07_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:39:45 GMT 0:40 poems, poetry, Willem de Kooning, Davis Museum, Harold Rosenberg, 21 Etchings and Poems, Alexa Miller No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Nora Hussey, Director of the Wellesley Theatre, reading a poem by Frank O’Hara. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Franz Kline. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/08_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:41:12 GMT 1:02 poems, poetry, Franz Kline, Davis Museum, Frank O’Hara, 21 Etchings and Poems, Nora Hussey No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Yvonne Ollinger, DS, Class of 2008, reading The Faithful One by David Ignatow. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Ben-Zion. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/09_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:41:12 GMT 0:48 poems, poetry, Ben-Zion, Davis Museum, David Ignatow, 21 Etchings and Poems, Yvonne Ollinger No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Colleen McCarthy, DS, Class of 2011, reading Tenement by Herbert Read. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Ben Nicholson. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/10_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:48:19 GMT 0:39 poems, poetry, Ben Nicholson, Davis Museum, Herbert Read, 21 Etchings and Poems, Colleen McCarthy No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Megan Garratt-Reed, Class of 2011, reading Tiresias by Morris Weisenthal. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Attilio Salemme. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/11_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 09:57:23 GMT 01:03 poems, poetry, Attilio Salemme, Davis Museum, Morris Weisenthal, 21 Etchings and Poems, Megan Garratt-Reed No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Marie Ayabe, Class of 2008, reading Mind by Richard Wilbur. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Salvatore Grippi. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/12_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:54:25 GMT 0:42 poems, poetry, Salvatore Grippi, Davis Museum, Richard Wilbur, 21 Etchings and Poems, Marie Ayabe No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Courtney Richter, Class of 2009, reading Fiercely, Lady, Do We Ride by David Lougée. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Karl Schrag. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/13_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:56:25 GMT 0:57 poems, poetry, Karl Schrag, Davis Museum, David Lougée, 21 Etchings and Poems, Courtney Richter No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Lawrence Rosenwald, Anne Pierce Rogers Professor of English, reading Aubade—Harlem by Thomas Merton. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by André Racz. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/14_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:57:25 GMT 2:12 poems, poetry, André Racz, Davis Museum, Thomas Merton, 21 Etchings and Poems, Lawrence Rosenwald No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Thomas Hansen, Professor of German, reading Gedicht (Poem) by Hans Sahl. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Jacques Lipchitz. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/15_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:57:43 GMT 0:54 poems, poetry, Jacques Lipchitz, Davis Museum, Hans Sahl, 21 Etchings and Poems, Thomas Hansen No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Adrienne Jacobson, Class of 2009, reading Most Often in the Night by Harold Norse. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Louis Schanker. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/16_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:58:43 GMT 1:12 poems, poetry, Louis Schanker, Davis Museum, Harold Norse, 21 Etchings and Poems, Adrienne Jacobson No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Leah Robins, Class of 2008, reading a poem by André Verdet. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Helen Phillips. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/17_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:58:57 GMT 0:49 poems, poetry, Helen Phillips, Davis Museum, André Verdet, 21 Etchings and Poems, Leah Robins No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Makkah Ali, Class of 2010, reading To a Poor Old Woman by William Carlos Williams. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Letterio Calapai. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/18_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:57:59 GMT 0:32 poems, poetry, Letterio Calapai, Davis Museum, William Carlos Williams, 21 Etchings and Poems, Makkah Ali No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Sarah Dickerson, Class of 2010, reading a poem by Jacques Henry Levesque. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Stanley William Hayter. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/19_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:58:08 GMT 0:50 poems, poetry, Stanley William Hayter, Davis Museum, Jacques Henry Levesque, 21 Etchings and Poems, Sarah Dickerson No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Kristina L. Szilagyi, Class of 2009, reading Omega by George Reavey. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Irene Rice Pereira. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/20_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:59:08 GMT 0:52 poems, poetry, Irene Rice Pereira, Davis Museum, George Reavey, 21 Etchings and Poems, Kristina L. Szilagyi No This series of podcasts features the work of 42 poets and artists, from Dylan Thomas to Frank O’Hara, and Helen Phillips to Willem DeKooning, the portfolio 21 Etchings and Poems, published in 1960, represents a noteworthy collaboration between the visual and literary arts. This track features Melinda Rios, DS, Class of 2009, reading Nostalgia by Peter Viereck. Each print closely integrates text and image, including a poem written in the hand of its author and imagery created through a wide range of innovative print techniques. This print was made by Esteban Vicente. Initiated by artist Peter Grippe, director of the renowned Atelier 17 print workshop, and the result of nearly ten years of effort, 21 Etchings and Poems is not only a landmark of mid-20th century American print publishing, but is unique in its inclusion of writers and artists from across the spectrum of 1950s cultural production. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Etchings_and_Poems/21_21_Etchings_and_Poems.m4a Wed, 9 Sep 2009 11:59:59 GMT 1:20 poems, poetry, Esteban Vicente, Davis Museum, Peter Viereck, 21 Etchings and Poems, Melinda Rios No This podcast series features Wellesley College Faculty members from various departments, reflecting on their favorite Davis Museum Collections objects. Faculty participants are nominated by students and invited to select works related to their research, teaching, or personal interests and experiences. Today, we will hear an essay written by Associate Professor Nicolas DeWarren, of the philosophy department. He reflects on Shusaku Arakawa’s painting entitled Impressionable Stretching, from 1977-78. The essay is read by Wellesley College student Haley Harris from the Class of 2012. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Faculty_Favorites/F01_Arakawa_DeWarren.m4a Wed, 25 Feb 2009 11:03:11 GMT 10:06 museum, Arakawa, space, perspective, De Warren, contemporary, art No This podcast series features Wellesley College Faculty members from various departments, reflecting on their favorite Davis Museum Collections objects. Faculty participants are nominated by students and invited to select works related to their research, teaching, or personal interests and experiences. Today, we will hear an essay written by Associate Professor Nicolas DeWarren, of the philosophy department. He reflects on Shusaku Arakawa’s painting entitled Impressionable Stretching, from 1977-78. The essay is read by Wellesley College student Haley Harris from the Class of 2012. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Faculty_Favorites/F01_Arakawa_DeWarren.mp3 Wed, 25 Feb 2009 11:03:11 GMT 10:06 museum, Arakawa, space, perspective, De Warren, contemporary, art No This podcast invites viewers to enjoy the ease, depth and imagination of teen responses to art. Evelyn Osei-Kuffor, Jessica Meek, Zach Pierce, Nathan Alvord and Danielle Solomon--students at the Cameron Middle School in Framingham, MA--encounter David Smith's Agricola IV, 1955, through dialogue and the production of this audio piece (with help from art teacher Sara Cummins and Teaching Artist Laura Starecheski). http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Teen_Produced_Audioguide/E01_Smith_agricola.m4a Fri, 11 Jul 2008 11:11:11 GMT 3:34 museum, David Smith, Agricola, sculpture, abstract, expressionism, students No This podcast invites viewers to enjoy the ease, depth and imagination of teen responses to art. Evelyn Osei-Kuffor, Jessica Meek, Zach Pierce, Nathan Alvord and Danielle Solomon--students at the Cameron Middle School in Framingham, MA--encounter David Smith's Agricola IV, 1955, through dialogue and the production of this audio piece (with help from art teacher Sara Cummins and Teaching Artist Laura Starecheski). http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Teen_Produced_Audioguide/E01_Smith_agricola.mp3 Fri, 11 Jul 2008 11:11:11 GMT 3:34 museum, David Smith, Agricola, sculpture, abstract, expressionism, students No This podcast features Jennifer Cawley, class of 2007 interviewing Martina Yamin, class of 1958. Yamin, a collector and a conservator of works on paper discusses objects from the exhibition Don't Look: Contemporary Drawings from an Alumna's Collection (Martina Yamin, class of 1958.) http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Yamin_interview_DontLook.m4a Fri, 11 Jul 2008 11:11:11 GMT 21:34 museum, Don't Look, drawings, contemporary, yamin, conservator, collector No This podcast features Jennifer Cawley, class of 2007 interviewing Martina Yamin, class of 1958. Yamin, a collector and a conservator of works on paper discusses objects from the exhibition Don't Look: Contemporary Drawings from an Alumna's Collection (Martina Yamin, class of 1958.) http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Yamin_interview_DontLook.mp3 Fri, 11 Jul 2008 11:11:11 GMT 21:34 museum, Don't Look, drawings, contemporary, yamin, conservator, collector No This podcast series will explore the interpretations of you the viewer. We invite you to come to the museum, spend time with a work or group of works from the collection and share your creative responses with us. The series will feature poets, musicians, fiction writers, and actors, sharing the work that was inspired by works from the Davis Museum Collections. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Creative_Responses/D_01_Kauffmann.m4a Mon, 15 Oct 2007 14:00:11 GMT 6:40 museum, student, Verona, Shakespeare, Kauffmann, theater No This podcast series will explore the interpretations of you the viewer. We invite you to come to the museum, spend time with a work or group of works from the collection and share your creative responses with us. The series will feature poets, musicians, fiction writers, and actors, sharing the work that was inspired by works from the Davis Museum Collections. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Creative_Responses/D_01_Kauffmann.mp3 Mon, 15 Oct 2007 14:00:11 GMT 6:40 museum, student, Verona, Shakespeare, Kauffmann, theater No Listen to a scholarly discussion of the Baga Shoulder Mask (D'mba) and the Roman Standing Male Nude installed in the Stories Ideals Beliefs section of the reinstallation. Dabney Hailey, Linda Wyatt Gruber '66 Curator of Painting, Sculpture and Photography and art department faculty members Genevieve Hyacinthe, Miranda Marvin, and John Rhodes create a cross cultural conversation between the two objects. Questions and topics for discussion include the works in and out of their original contexts, artists' use of materials, gender, and the concept of ideal beauty. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Exploring_Ideal/C01_Exploring_Ideal.m4a Wed, 19 Sep 2007 16:25:13 GMT 1:01:51 museum, art, roman, D'mba, baga, sculpture No Listen to a scholarly discussion of the Baga Shoulder Mask (D'mba) and the Roman Standing Male Nude installed in the Stories Ideals Beliefs section of the reinstallation. Dabney Hailey, Linda Wyatt Gruber '66 Curator of Painting, Sculpture and Photography and art department faculty members Genevieve Hyacinthe, Miranda Marvin, and John Rhodes create a cross cultural conversation between the two objects. Questions and topics for discussion include the works in and out of their original contexts, artists' use of materials, gender, and the concept of ideal beauty. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Exploring_Ideal/C01_Exploring_Ideal.mp3 Wed, 19 Sep 2007 16:25:13 GMT 1:01:51 museum, art, roman, D'mba, baga, sculpture No Experience works of art through the views and opinions of Wellesley College students, as captured during "Looking Sessions." A group of students explore the small gallery in Stories Ideals Beliefs, looking long and hard at works of art and discussing the gallery's curatorial focus on narrative and visual stories. In the coming weeks, we will invite listeners to add their own comments to the podcast. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Visual_Conversations/B01_VC_Janssens.m4a Wed, 19 Sep 2007 16:25:13 GMT 22:06 museum, art, davis, VTS, museums, visual No Experience works of art through the views and opinions of Wellesley College students, as captured during "Looking Sessions." A group of students explore the small gallery in Stories Ideals Beliefs, looking long and hard at works of art and discussing the gallery's curatorial focus on narrative and visual stories. In the coming weeks, we will invite listeners to add their own comments to the podcast. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Visual_Conversations/B01_VC_Janssens.mp3 Wed, 19 Sep 2007 16:25:13 GMT 22:06 museum, art, davis, VTS, museums, visual No This illustrated podcast presents a tour of highlights of the landscape and architecture of Wellesley College. Join Professor John Rhodes for a brief tour of this beautiful campus. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/DMCC-2007-08-13-Architecture_Tour_images.m4a Mon, 13 Aug 2007 16:25:13 GMT 19:02 museum, art, davis, architecture, museums, landscape No This podcast presents a tour of highlights of the landscape and architecture of Wellesley College. Join Professor John Rhodes for a brief tour of this beautiful campus. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/DMCC-2007-08-13-Architecture_Tour.mp3 Mon, 13 Aug 2007 16:25:13 GMT 19:02 museum, art, davis, architecture, museums, landscape No This podcast presents highlights of the Fall 2006 Davis After Dark event at the Davis Museum and Cultural Center at Wellesley College. The event is organized by the Davis Museum Student Advisory Committee. Students manage and program Davis After Dark each semester. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/DMCC-2006-12-27-Davis_After_Dark.m4a Wed, 27 Dec 2006 16:36:11 GMT 49:52 museum, art, davis, students, museums, DMSAC No This podcast presents highlights of the Fall 2006 Davis After Dark event at the Davis Museum and Cultural Center at Wellesley College. The event is organized by the Davis Museum Student Advisory Committee (DMSAC). Students manage and program Davis After Dark each semester. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/DMCC-2006-12-27-Davis_After_Dark.mp3 Wed, 27 Dec 2006 16:36:11 GMT 49:52 museum, art, davis, students, DMSAC, museums No The Davis Museumcast Sculpture Tour is a podcast tour of three site-specific sculptures on the Wellesley College campus. The tour features an informal conversation between Dabney Hailey, Linda Wyatt Gruber, Class of 1966, Curator of Collections and Photography, and Erin Doherty, Class of 2007. They discuss Robert Irwin's Untitled (Filagreed Line) from 1980, Michael Singer and Michael McKinnell's Untitled work from 1989-1992, and Nancy Holt's Wild Spot created in 1979-1980. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Davis_Museumcast_Sculpture_Tour.m4a Tue, 07 Nov 2006 11:45:13 GMT 24:37 museum, art, davis, tour, sculpture, museums No The Davis Museumcast Sculpture Tour is a podcast tour of three site-specific sculptures on the Wellesley College campus. The tour features an informal conversation between Dabney Hailey, Linda Wyatt Gruber, Class of 1966, Curator of Collections and Photography, and Erin Doherty, Class of 2007. They discuss Robert Irwin's Untitled (Filagreed Line) from 1980, Michael Singer and Michael McKinnell's Untitled work from 1989-1992, and Nancy Holt's Wild Spot created in 1979-1980. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Davis_Museumcast_Sculpture_Tour.mp3 Tue, 07 Nov 2006 11:45:13 GMT 24:37 museum, art, davis, sculpture, tour, museums No This is the fourth in a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Marjorie Agosin's Untitled poems were inspired by Lesley Dill's piece Clothe My Naked Body, Print Tapestries...Poem Wedding Dress, 1995. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry_images04.m4a Wed, 04 Oct 2006 13:06:23 GMT 1:33 museum, art, davis, poetry, ekphrasis, museums No This is the fourth in a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Marjorie Agosin's Untitled poems were inspired by Lesley Dill's piece Clothe My Naked Body, Print Tapestries...Poem Wedding Dress, 1995. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry04.mp3 Wed, 04 Oct 2006 13:06:23 GMT 1:33 museum, art, davis, poetry, ekphrasis No This podcast was produced by Summer Technology Intern Zsuzsa Moricz, Class of 2006. It provides an overview of the Summer Fellowship Program and describes the exciting opportunities offered each summer at the Davis Museum. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_summerfellow_images.m4a Wed, 13 Sep 2006 13:00:14 GMT 9:52 museum, davis, art, intern, fellowship, images, culture, students No This podcast was produced by Summer Technology Intern Zsuzsa Moricz, Class of 2006. It provides an overview of the Summer Fellowship Program and describes the exciting opportunities offered each summer at the Davis Museum. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_summerfellow.mp3 Wed, 13 Sep 2006 13:00:14 GMT 9:52 museum, davis, art, intern, fellowship, images, culture, students No This is the third of a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Nora Hussey's poem, Fault Lines, was inspired by a print in our collection by Kerr Eby entitled Shadows, 1936. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry_images03.m4a Mon, 31 Jul 2006 18:05:11 GMT 1:48 museum, davis, art, poetry, ekphrasis, images No This is the third of a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Nora Hussey's poem, Fault Lines, was inspired by a print in our collection by Kerr Eby entitled Shadows, 1936. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry03.mp3 Mon, 31 Jul 2006 18:05:11 GMT 1:48 museum, davis, art, poetry, ekphrasis No This is the second of a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Kim Akin's untitled poem was inspired by a sculpture in our collection by Michael Singer and Michael McKinnel. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry_images02.m4a Fri, 07 Jul 2006 16:39:51 GMT 1:37 museum, davis, art, poetry, ekphrasis, images No This is the second of a series of ekphrasis poetry by Wellesley College students, staff, and faculty. Ekphrasis is poetry inspired by an art object. Kim Akin's untitled poem was inspired by a sculpture in our collection by Michael Singer and Michael McKinnel. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry02.mp3 Fri, 07 Jul 2006 16:39:51 GMT 1:37 museum, davis, art, poetry, ekphrasis No This is the first of a series of ekphrasis poetry by Wellesley College student, staff, and faculty. Ekphrasis is poetry inspired by an art object. Roheeni Saxena's poem, The Nefertiti of My Dreams, was inspired by a sculpture in our collection by Charles-Henri-Joseph Cordier titled, Capresse des Colonies (Negress of the Colonies). http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry_images01.m4a Mon, 26 Jun 2006 16:39:51 GMT 6:15 museum, davis, art, poetry, ekphrasis No This is the first of a series of ekphrasis poetry by Wellesley College student, staff, and faculty. Ekphrasis is poetry inspired by an art object. Roheeni Saxena's poem, The Nefertiti of My Dreams, was inspired by a sculpture in our collection by Charles-Henri-Joseph Cordier titled, Capresse des Colonies (Negress of the Colonies). http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/dmcc_poetry01.mp3 Mon, 26 Jun 2006 16:39:51 GMT 6:15 museum, davis, art, poetry, ekphrasis No The Davis Museumcast Tour is a podcast tour of the collections at the Davis Museum and Cultural Center at Wellesley College. The tour features an informal conversation between Dabney Hailey, Linda Wyatt Gruber, Class of 1966, Curator of Collections and Photography, and Lenka Kiss, Class of 2005, that explores eight objects in the museum. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/davis_tour_images_summer2006.m4a Mon, 19 Jun 2006 15:26:21 GMT 40:52 museum, davis, art, tour, museumcast Clean The Davis Museumcast Tour is a podcast tour of the collections at the Davis Museum and Cultural Center at Wellesley College. The tour features an informal conversation between Dabney Hailey, Linda Wyatt Gruber, Class of 1966, Curator of Collections and Photography, and Lenka Kiss, Class of 2005, that explores eight objects in the museum. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Davis_Museumcast_Tour_Summer06.mp3 Mon, 19 Jun 2006 15:26:21 GMT 40:52 museum, davis, art, tour, museumcast Clean Curator Anja Chavez and Chanda Wong, Class of 2009 interview artist Xu Bing about his Davis Museum and Cultural Center lobby installation and works in the exhibition On the Edge: Contemporary Chinese Artists Encounter the West. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/Xu_Bing_Interview.mp3 Thu, 20 Apr 2006 16:39:51 GMT 26:09 museum, davis, art, interview, Xu, Bing, China, Chinese, contemporary Clean This is a tour in English of our current exhibition "On the Edge: Contemporary Chinese Artists Encounter the West" with guest curator, Britta Erikson. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/On_the_Edge.mp3 Tue, 14 Mar 2006 16:21:31 GMT 27:48 museum, davis, art, Xu, Bing, China, Chinese, contemporary, east, west\ Clean This is a tour in Mandarin Chinese of our current exhibition On the Edge: Contemporary Chinese Artists Encounter the West with guest curator, Britta Erikson. http://www.davismuseum.wellesley.edu/whatsnew/Museumcast_Audiofiles/On_the_Edge_Mandarin_Chinese.mp3 Tue, 14 Mar 2006 16:21:31 GMT 58:37 museum, davis, art, Xu, Bing, China, Chinese, contemporary, east, west\ Clean