Directed by Victor Nunez.
1993, Republic Pictures, 115 minutes.
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Ruby Lee Gissing: Ashley Judd
Mike: Todd Field
Ricky: Bentley
Mitchum Rochelle: Alison Dean
Mildred Chambers: Dorothy Lyman
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Photo by Bruce Weber
The film begins with Ruby asserting her independence by
leaving her small town in Tennessee heading towards "paradise", Panama City,
Florida. The trajectory of this coming-of-age drama follows her personal
growth as she falls in lust, falls in love and rejects both in order to discover
herself as a strong woman.
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Ricky, the boss' playboy son, who manages the store in his mother's absence,
makes several passes at Ruby. She accepts the first two, then rejects him when
she realizes he is a negative influence, and a scumbag. She meets Mike, a garden
store clerk and morose intellectual and falls in love with him. Just as the
relationship with Mike develops, Ricky surprises her late one night in a drunken
stupor. He tries to sexually assault her but is thwarted. He terminates her job
as revenge for her refusal to submit to him. She applies for several jobs and is
rejected. In desperation, she even considers a job in a strip joint but recognizes
she can't sell her body. The constraints force her to accept a menial position in a
commercial laundry operation. She bonds with the two women she works
with and develops the sense that people from all walks inhabit the same
world.
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The suture is established immediately with the opening credits in which Ruby
is driving the Tennesee highway in an old beat
up car headed towards Florida to Panama City ("paradise"). At night we see
her silhouette nodding off as she tries to stay awake. She is young but
determined to free herself of a limiting past where she claims she escaped
"without getting pregnant or beat up." After her arrival in Panama City, she
lands a job at a souvenir shop settling in a one room cottage amidst a
complex. She buys a notebook and begins a journal to figure out the "whys" of
her coming to a new place. She longs to understand actions, appearances
though she is keenly aware of her own feelings. Her future is a puzzle she
hopes to piece together though thoughts and actions don't always fit.
Elements are incongruous, the whys loom before her. Slowly, she makes
efforts to put things in order. She buys a plant, dates Ricky, the boss'
obnoxious son and is left feeling dissatisfied and begins to wonder what she's
doing there.
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Ruby, after regaining her lost job at Chamber's
Emporium, comes to realize that retail is "a game whose rules she
understands." She has matured since the start. She is free to choose with
whom and whether she would like a relationship with a man. She is content
playing the game she knows and living on her own. There is no sense that she
is diminished by these decisions. She has found her "paradise" and learned
that even paradise has it's cost. Ruby enters Chamber's Emporium in the final
scene. Though we don't see any others in the store, she calls "hello,
everybody" in an expectant, upbeat tone. We have the sense she has come to
terms with her life, and for the moment, sychronised her inner feelings with
the outside actions.
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Information on Ashley Judd at the Internet
Movie Database.
Ruby in Paradise and interview with Ashley Judd
Ruby in Paradise: a film review
The Unofficial Web Page:
Ashley's Altar.
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Strong Women Homepage
- Wini Wood wwood@wellesley.edu
- Writing Program
- Date Created: March 15, 1996
- Last Modified: March 12, 1997
- Expires: January 1, 1998