Symposium: Spanish Still Life, Revisited
Thursday, February 19, 2015, 2:00 - 4:30pm
Davis Galleries | Reception to follow in Davis Lobby
When Davis curators recently delved into storage in preparation for the upcoming reinstallation project, they uncovered a rare example of seventeenth-century Spanish still life painting. Upon further research, this coveted painting was attributed to Alonso de Escobar and received extensive conservation and a new period frame. Please join us to explore the story of this marvelous discovery with a team of experts: Salvador Salort-Pons, Executive Director, Collection Strategies and Information, Detroit Institute of Arts; Theresa Carmichael, Independent Paintings Conservator; and Andrew Haines, Associate Conservator of Frames at the Museum of Fine Arts, Boston. Organized by curators Eve Straussman-Pflanzer and Claire Whitner, with generous support from the E. Franklin Robbins Art Museum Endowment.
Gallery Talk: Hanging with the Old Masters and Conservation
Tuesday, March 3, 2015, 3:00pm
Co-curators Eve Straussman-Pflanzer and Claire Whitner will discuss how the current installation of the Davis’s Italian Old Master paintings collection is intended to provoke discussion of the behind-the-scenes decision-making that happens among curators: which paintings should be placed on view and why, whether conservation is an option, how should “hangs” be arranged, what information should be included in labels, among others. Objects conservator, Gerri Strickler, will join the conversation with her assessment of the Davis’s collection of polychrome sculpture and discuss how these preliminary findings will determine whether treatment is possible and if so, how it will be carried out.
Gallery Talk: SMS and Experimental Poetry
Tuesday, March 17, 2014, 3:00pm
Lawrence and Ina Lee Brown Ramer Gallery
Dr. Nick Monfort is a specialist in the history of electronic literature and a practicing digital poet. In conversation with Michael Maizels, Mellon Curator of New Media Art, Dr. Montfort will discuss the principle of coding that is essential to the many of the works in the SMS portfolios, and the relationship of these explorations to the birth of the modern computer.
Gallery Talk: What Does History Know of Nail Biting?
Tuesday, April 7, 2015, 3:00pm
Carlos Ramos, Professor of Spanish, will lead a conversation with visiting artist Francesc Torres about What Does History Know of Nail Biting?, addressing questions of war and social memory.
Gallery Talk: Rembrandt and the Landscape Tradition
Tuesday, April 28, 2015, 3:00pm
Margaret Carroll, Professor of Art History at Wellesley College and specialist in Dutch and Flemish Art, will discuss the work of Rembrandt and his contemporaries, the growth of the landscape genre in the seventeenth century, and how this growth reflects greater historical, social, and cultural trends of the time.
Art and Reality: A Symposium on Contemporary Middle Eastern Art in Context
Exploring current issues in contemporary Middle Eastern art.
Friday, April 17
Special screening of Terrance Turner’s new documentary film, Parviz Tanavoli: Poetry in Bronze.
The new film from award winning director, producer, writer, and artist Terrence Turner (dir. Adele’s Wish, 2008) screens with the director in attendance. Q&A and a reception follow.
Saturday, April 18
Daylong symposium considers Tanavoli’s art and the “new” field of contemporary Middle Eastern art, questions of creative freedom and the social responsibility of artists, and matters of “soft power” in the region.
Join us for an exploration of current issues in contemporary Middle Eastern art, an area of newly heightened interest among institutions, collectors, curators, scholars, and patrons. Organized in conjunction with the groundbreaking exhibition Parviz Tanavoli, the event kicks off with a special screening of Terrance Turner’s new documentary film on the artist. A day-long symposium considers Tanavoli’s art in context and expands to the “new” field of Middle Eastern art, curatorial and cultural support structures, and the growing art market in the region.
Presented with major support from the Kathryn Wasserman Davis '28 Fund for World Cultures and Leadership.
Free and open to the public; Reservations required. Full schedule TBA. Check back soon!
Film Series: Women in Modern Iranian Cinema
All screenings begin at 6:00pm in Collins Cinema.
In partnership with the Cinema and Media Studies program, the Davis presents this series of film screenings dedicated to exploring the groundbreaking achievements of women directors in modern Iranian cinema. Proportionally speaking, there have been more high profile female directors in Iran than in several Western countries, despite the hardships of women in post-Revolutionary Iran. These films range from drama to comedy and explore a broad range of topics, suspending generalizations of Iranian society and provoking curiosity. These selections highlight just a few of these critically-acclaimed films - sure to delight cinephiles, art-lovers, and everyone in-between.
Generously supported by the Davis Museum Film Program Gift.
March 4: Blackboards (2000, Dir. Samira Makhmalbaf)*
Carrying large blackboards on their backs, a group of teachers cross the mountainous paths of the remote Iranian Kurdistan region in the wake of the chemical bombing of Halabja, searching for students to teach. But as the teachers encounter one hardship after another, it seems that hunger and insecurity has not left any chance for the education of the future generations. Winner of the Special Jury Prize at the 2000 Cannes Film Festival.
March 11: The Day I Became a Woman (2000, Dir. Marziyeh Meshkini)*
Meshkini’s film tells the interconnected stories of three Iranian women struggling with their female identity at different stages in their lives. Winner of three awards at the 2000 Venice Film Festival, The Day I Became a Woman has been described as “Felliniesque” by several critics and was temporarily banned upon its release in Iran.
April 1: A Girl Walks Home Alone at Night (2014, Dir. Ana Lily Amirpour)
The first Vampire Western ever made in the Farsi language, Ana Lily Amirpour's debut basks in the sheer pleasure of pulp. A joyful mash-up of genre, archetype, and iconography, its prolific influences span spaghetti westerns, graphic novels, horror films, and the Iranian New Wave. (Source: Kino Lorber)
April 15: Fifi Howls from Happiness (2013, Dir. Mitra Farahani)
Farahani’s lyrical documentary explores the enigma of provocative artist Bahman Mohassess, the so-called “Persian Picasso,” whose acclaimed paintings and sculptures dominated pre-revolutionary Iran. A lasting tribute to an elusive artistic genius, Fifi Howls from Happiness affirms the power of creative freedom, the right of the artist to create and to destroy, and above all, to have no regrets. (Source: Music Box Films)
*Special presentations in 35mm.
Family Day at the Davis: Words + Pictures
Saturday, April 25 11:00am - 3:00pm
Davis Galleries, Lobby, and Collins Cafe
Learn all about the different ways that text and image interact in this edition of Family Day at the Davis! Ask a graphic designer about his work, watch a calligrapher in action, enjoy story time with librarians from the Wellesley Free Library, make your own word art, and explore our special exhibitions with a scavenger hunt and family tours. Light refreshments provided. Free and open to the public.
Family Day is generously supported by The Palley Endowment Fund for Davis Museum Outreach Programs.
NEW! Drop-in Public Tours
Special exhibition tours are led by a Student Guide and are free and open to the public on a first-come, first-served basis. All tours start at 2:00pm and meet in the Davis lobby.
Saturday, February 28, 2015: Parviz Tanavoli
Saturday, March 14, 2015: Hanging with the Old Masters
Saturday, April 4, 2015: Edged in Black
2:00 pm | Davis Lobby
Artist’s Lecture at 5:00 pm, Collins Cinema
Reception 6:00 - 8:00 pm, Davis Lobby
Please join the Davis in celebrating the opening of our spring exhibitions with an evening programme and festive reception in the company of distinguished artist, Parviz Tanavoli.