Research & Publications




Shakespeare’s Sense of Character: On the Page and From the Stage, Ashgate Publishing (2012), co-editor.

Mutability and Division on Shakespeare's Stage, University of Delaware (2004).



"The site of burial in two Korean Hamlets," Shakespeare International Yearbook, Vol 16 (2016).

“Globe Theatre Replicas,” The Cambridge Guide to the Worlds of Shakespeare, Vol 2: The World’s Shakespeare (2016).

"Women Who Will Make a Difference: Shakespeare at Wellesley," in Shakespeare on the University Stage, Andrew Hartley, ed. (Cambridge UP, 2014).

"Macbeth Behind Bars," Borrowers & Lenders, 8.2 (Fall 2013/ Winter 2014).

The Tempest,” Shakespeare Bulletin 30.3 (Fall 2012).

Richard III,” Shakespeare Bulletin 29.4 (Winter 2011).

“Martial Arts and Masculine Identity in Feng Xiaogang's The Banquet, Borrowers and Lenders 4.2 (2010).

"Twelfth Night," Shakespeare Bulletin 27.4 (Winter 2009).

Othello and As You Like It,” Shakespeare Bulletin 27.2 (Summer 2009).

“Hamlet Between the Lines,” Shakespeare Bulletin 26.4 (Winter 2008).

“Shakespeare in New England,” Shakespeare Bulletin 26.1 (Spring 2008).

“Actors from the London Stage Hamlet,” Shakespeare Bulletin 25.3 (Fall 2007).

“Shakespeare Festivals,” catalogue essay for the Shakespeare in American Life exhibition and catalogue sponsored by The Folger Shakespeare Library (2007).

“Observing Shakespeare’s Lighting Effects,” The Upstart Crow, Vol. XXV (Winter 2006).

“Honolulu Theatre For Youth Othello,” Borrowers and Lenders, 2.1 (2006, online:

The Merchant of Venice (Atlanta Shakespeare Company, Chicago Shakespeare Company),” Shakespeare Bulletin, 24.3 (Fall 2006).

“Actors’ Shakespeare Project’s All’s Well That Ends Well,” Shakespeare Newsletter, Spring/Summer 2006.

A Midsummer Night’s Dream, Romeo and Juliet, Love’s Labor’s Lost, Dr. Faustus (Utah Shakespearean Festival),” Shakespeare Bulletin, 24.1 (Spring 2006).

Much Ado About Nothing (African American Shakespeare Company),” Shakespeare Bulletin, 24.1 (Spring 2006).

“’The Mousetrap’ and Remembrance in Michael Almereyda’s Hamlet,” Shakespeare Bulletin, 23.4 (Winter 2005).

Othello,” Shakespeare Bulletin 23.4 (Winter 2004).

“A Little Touch of Harry in the Light: Henry V at the New Globe,” Shakespeare Survey 52, 1999.

The Tempest,” Shakespeare Bulletin, 17.1 (Spring 1999).

“Shakespeare's Rosalind: The Charactor of Contingency," Performing Gender and Comedy, Shannon Hengen, ed. (Gordon and Breach), 1998.

“The Comic Close of Twelfth Night and Viola’s Noli me tangere,” Shakespeare Quarterly 48.4 (Winter 1997).

"Straining Sexual Identity: Cheek By Jowl's As You Like It," Shakespeare Bulletin 15.4 (Winter 1995).


Book Reviews:

Weyward Macbeth,” Shakespeare Quarterly (Summer 2012).

Shakespearean Resurrection,Shakespeare Quarterly (Winter 2011).

“Hamlet, Character Studies,” Shakespeare Yearbook XVIII (2010).

“Voice in Motion,Modern Philology (2009).

Shakespeare’s Names,Shakespeare Quarterly (Spring 2009).


Other Publications:

"Expert Commentary," Folger Luminary Shakespeare Apps (Version 1.3.1: 2014):

            A Midsummer Night's Dream

            Romeo and Juliet