Graphic Design in the Digital Future: Lessons from the Renaissance Book, Saturday, September 10, 2016, 9:00 am - 6:00 pm, Library Lecture Room.
Our media landscape is changing radically. New technologies offer new ways of reading and new modes of presenting texts. But how completely can we really break with old paradigms? Do the design principles of the printed book have a place in our digital future? To find an answer, this conference compares our ongoing technological revolution with an earlier one: the invention of the printed book itself in Renaissance Europe. Lectures, workshops, and discussions by historians and practitioners of printing, web design, and typography will enable the audience to apply lessons from the Renaissance to the design challenges of the present.
Speakers and workshop leaders include Simran Thadani, '05 (Letterform Archive); Russell Maret (printer/type designer); Ken Botnick (Washington University in St. Louis and emdash design studio); Soe Lin Post (Wellesley); Sohie Lee (Wellesley); Katherine M. Ruffin (Wellesley); and Ruth R. Rogers (Wellesley).
9:00am-12:30pm: lectures and discussion
2:00pm-4:45pm: workshops in letterpress printing and web design
4:45pm-6:00pm: reception and discussion
Free and open to the public. Advance registration required for afternoon workshops. For further information, and to register for workshops, e-mail Prof. Sarah Wall-Randell (firstname.lastname@example.org).
Symposium organized by Sarah Wall-Randell, Associate Professor of English, and Simon Grote, Assistant Professor of History.
Sponsored by Book Studies, the Program in Medieval-Renaissance Studies, and the Departments of English and History. Generously supported by the Andrew W. Mellon Fellowship in Critical Bibliography at Rare Book School.
Beyond Words: Illuminated Manuscripts in Boston Collections, Thursday, November 3 - Saturday, November 5, 2016, Boston College, the Isabella Stewart Gardner Museum, and Harvard University.
"Beyond Words" will be the first exhibition to display the extraordinary highlights of illuminated manuscripts in the Boston area. It will showcase more than 260 outstanding manuscripts - some from Wellesley's Special Collections - and will be supplemented by an extensive catalogue, a three-day symposium, and significant public programming. Wellesley's own Lilian Armstrong will be speaking on Friday, November 4th, at the Isabella Stewart Gardner Museum.
View more here.
ARTH 299: History of the Book from Manuscript to Print, Spring 2017. Ruth Rogers, Curator of Special Collections, will teach this course in Special Collections.
A survey of the evolution of the book, both as a vessel for the transmission of text and image and as evidence of material culture. Through close examination of rare books in Clapp Library's Special Collections, we will explore the social and political forces that influenced the dissemination and reception of printed texts. Lectures will cover the principal techniques and materials of book production from the ancient scroll to the modern codex, including calligraphy, illumination, format and composition, typography, illustration, papermaking, and bookbinding. Weekly reading, discussion, and analysis of specimens will provide the skills needed to develop a critical vocabulary and an investigative model for individual research. Additional sessions on the hand press in the Book Arts Lab and in Pendleton paper studio.
Rachel Bartgis, The National Archives, "Writing by Hand in the Eighteenth Century," Friday, April 15, 2016, 4:15-6:15pm, Book Arts Lab, Clapp Library. Sponsored by Long Eighteenth Century Working Group, the History Department, and Book Studies.
ARTS 222: Introductory Print Methods: Typography/Book Arts, Spring 2016. Katherine M. Ruffin, Book Studies and Book Arts Program Director, taught this course in the Book Arts Lab.
Nick Wilding, Associate Professor of History, Georgia State University, "Forging the Moon; Or, How to Spot a Fake Galileo," Wednesday, February 3, 2016, 12:30 pm, Science Center 277. Co-sponsored by Book Studies, the CLCE's Edwards Fund, and the Science Center.
Kristina Milnor, Professor of Classics, Barnard College, "Faustilla the Pawnbroker: On Gender and Finance in the Early Roman Empire," November 11, 2015, 5:00 pm in FND 120.
Sylvia Sellers-Garcia, Assistant Professor of History, Boston College, "Distance and Documents at the Spanish Empire's Periphery," April 27, 2015, 4:00 pm. Sponsored by Book Studies, the History Department, and the Long 18th Century Working Group.
William Noel, Director of the Kislak Center and the Schoenberg Institute, University of Pennsylvania Libraries, "The Archimedes Palimpsest and Truly Open Manuscript Data," Wednesday, April 8, 2015, 12:30 pm. Sponsored by the Science Faculty Seminar Series, Wellesley Wednesdays, Book Studies, and the Wilson Fund, with co-sponsorship from the Art Department, Classics Department, the Media Arts and Sciences Program, and the Medieval and Renaissance Studies Program.
ARTH 299: History of the Book from Manuscript to Print, Spring 2015 - Ruth Rogers, Curator of Special Collections, taught this course in Special Collections.
Kenneth Carpenter, Former Curator, Kress Library of Business and Economics, Harvard University, "How Economic Ideas Travel: The Incredible Journey of Benjamin Franklin's 'Way to Wealth'," Thursday, December 4, 2014, 5:00 pm, Library Lecture Room.
Simran Thadani, PhD in English from University of Pennsylvania, 2013, and BA in Spanish and English from Wellesley College in 2005, "Authorship and Anonymity in Renaissance Writing-Books," Monday, November 10, 4:15 pm; and "Post-Wellesley Careers for Humanities Majors," Sunday, November 9, 2014, 4:00 pm, Lulu Wang Center 415.
Rie Hachinayagi, Professor of Art, Mt. Holyoke College, "Artist's Presentation," Wednesday, September 24, 2014, 12:30 pm, Library Lecture Room; and "Japanese Papermaking Demonstration," Tuesday, September 23, 2014, 4:00 pm, Papermaking Studio, Pendleton West 114.
Kelly Whitmer, Assistant Professor of History, Sewanee: the University of the South, "How to Build an Imaginary Cabinet of Curiosities: Lessons in Entrepeneurship for Gallant Youth, ca. 1700," March 12, 2014, 5:00 pm, Library Lecture Room.
ARTS 222 Introductory Print Methods: Typography/Book Arts, Spring 2014
Katherine M. Ruffin, Book Arts Program Director, teaches this course in the Book Arts Lab.
2014 Book Studies Faculty Seminar: Teaching & Conducting Research with Books and OtherText-Technologies: Book History, the Book Arts, and Book Studies at Wellesley College Sponsored by the Provost’s Office and Library & Technology Services and made possible by the generous support of The Friends of the Wellesley College Library’s Innovations in Reading and Scholarship Fund. Tuesday, January 14, through Thursday, January 16, 2014
ARTH 299 History of the Book from Manuscript to Print, Spring 2013 Ruth Rogers, Curator of Special Collections, taught this course in Special Collections.
Ann Blair, Henry Charles Lee Professor of History at Harvard University "Too Much to Know: Managing Scholarly Information Before the Digital Age" Saturday, November 10, 2012, 4 pm Collins Cinema
Peter Stallybrass, Walter H. and Leonore C. Annenberg Professor in the Humanities and Professor of English and of Comparative Literature and Literary Theory, University of Pennsylvania Newhouse Center for Humanities Elizabeth Turner Jordan '59 Lecture Lecture and Seminar Lecture: “What is a letter?” (letter as in correspondence) Monday, December 3, 2012: 4:30 pm Seminar: “What is a book?” Tuesday, December 4, 2012: 12:30-2:00, Newhouse Center
Pfortzheimer Learning and Teaching Center Luncheon: "The Book Studies Concentration at Smith College" Lecture by Martin Antonetti, Curator of Rare Books, Smith College Wednesday, October 24, 2012, 12:30 Library Lecture Room
2012 Book Studies Faculty Seminar: Teaching with Books and Other Text-Technologies: Book History, the Book Arts, and Book Studies in the Wellesley Curriculum.” Sponsored by the Provost’s Office and Library & Technology Services and made possible by the generous support of The Friends of the Wellesley College Library’s Innovations in Reading and Scholarship Fund Monday, June 4-Wednesday, June, 6, 2012