Cinephile Sundays

Cinéphile Sundays is not running Spring 2018. We do have a new film series this semester: Between Constructed and Imagined Spaces: Visiting Filmmaker Screening and Conversation Series.

All screenings take place in Collins Cinema unless otherwise noted. Screenings are free and open to the public, and seating is first come, first served. Please check our Facebook page for potential weather-related cancellations and any other changes.
Karina Skvirsky
Wednesday, March 14, 2018
5:00 - 7:00 pm
Laura Parnes
Wednesday, April 4
5:00 - 7:00 pm
James N. Kienitz Wilkins
Tuesday, April 24
5:00 - 7:00 pm
Javier Téllez
Tuesday, May 1
5:00 - 7:00 pm
Liselot van der Heijden
Wednesday, May 9
5:00 - 7:00 pm


Cinéphile Sundays is on hiatus for Fall 2017.

Please check our Facebook page for news about other film screenings and events this semester.


Cinéphile Sundays, Spring 2017

Where Do We Go Now?


Although films made by women have already figured in our Cinéphile Sundays series, the time has come to dedicate a five-film cycle to women directors. The series' title, Where Do We Go Now?, is the English translation of the title of one of the films, Nadine Labaki's Et maintenant on va où? (2011).

All films will be shown in Collins Cinema. Screenings are free and seats are first come, first served.

Cinéphile Sundays is generously supported by the Edwards Fund.

Weather may cause a screening to be rescheduled. Please check the CAMS Facebook page for day-of information about cancellations and rescheduled times.



La Ciénaga (The Swamp)
Lucrecia Martel (2001)
February 12 | 3 PM

La Cienaga screenshot, a woman looking back over her shoulder next to a man lying down with a small dog


Undoubtedly the most intriguing and promising auteur to emerge from the so-called New Argentine Cinema, Lucrecia Martel took the film festival circuit by storm with this stunning portrayal of an oblivious, decaying, and racist middle class in the northwest of her country. The screenplay for La Ciénaga won the NHK award at Sundance in 1999. The film has been compared to Faulkner's novels. Indeed, La Ciénaga, as all of Martel's films, is characterized by a somewhat disorienting narrative structure and an extreme attention paid to the soundscape and all the forms of haptic/tactile visuality enabled by filming on 35mm.


Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed)
Lotte Reininger (1926)
February 26 | 3 PM
screenshot from The Adventures of Prince Achmed, a blue and black cut paper fanciful jungle scene

As the oldest surviving animated feature, Lotte Reininger's film goes a long way to proving the relevance of women filmmakers in the history of animation. Die Abenteuer des Prinzen Achmed features a silhouette animation technique Reininger invented, which involved manipulated cutouts made from cardboard and thin sheets of lead under a camera -- a technique she would continue using for the rest of her long filmmaking career.



Sally Potter (1992)
March 19 | 5 PM

Orlando film screenshot showing a woman in elaborate Elizabethan dress with a fan at a window


Sally Potter's visually sumptuous Orlando (1992) is the cinematic adaptation of Virginia Woolf's gender- and history-bending novel of the same name. Beginning in the era of Queen Elizabeth I (played with gusto by writer and performer Quentin Crisp) and rolling down the centuries to end in contemporary London, Orlando is faithful to the spirit of a book that was regarded as impossible to adapt for the screen.



Et maintenant on va où?

Nadine Labaki (2011)
April 9 | 5 PM

Et maintenant on va ou? screenshot, five women on a beach, the left two in full dresses, the right three in more modern beachwear


Nadine Labaki's first film, Caramel (2007), premiered at the Cannes film festival and went on to become the most internationally acclaimed and exposed Lebanese film to date. Et maintenant on va où?, the winner of the People's Choice Award at the 2011 Toronto International Film Festival, is a bold step in political filmmaking, a fairy tale that attempts the impossible: at once the depiction of an intractably topical situation in Lebanon (namely the conflict between Muslims and Christians) and the visualization of what could happen if women took some extreme, utopian -- and humorous -- measures.


Dream Girls
Kim Longinotto, Jano Williams (1993)
April 23 | 5 PM

Dream Girls preview image, a black and white photo of two women dancing, one dressed as a man, on a graphic pink background


In the high-stakes world of the Takarazuka Revue, young women vie to perform as men or women in the troupe's wildly popular musicals. A fascinating documentary about gender, sexuality, and performance, Dream Girls offers a unique perspective on the confines of modern women in a male-dominated world.

Join film archivist May Haduong '00 as she presents a rare 16mm print of Dream Girls, along with some outstanding short films from the Academy Film Archive's collection.