Argentinian artist and performer Javier Bustos performing Breath with neon lights and a bandoneon..

Formas de Interpretar el Viento

Reception

Time 5:30 PM - 7:30 PM
Where Davis Museum Lobby
Together with the Spanish, Music, and Latin American Studies Departments, the Davis Museum and the Wellesley Art Department are pleased to present Formas de Interpretar el Viento, a concert by Argentinian artist Javier Bustos, on Thursday, October 15 at 5:30 pm. The concert will activate the Davis Museum's floor 5 and will include Bustos' performance of Breath. Read more about the concert and the artist below; we hope you'll join for this exciting program. 
 
ABOUT THE PERFORMANCE

Breath is a sound performance that uses an experimental electronic bandoneon built and designed by Javier Bustos specifically for this work. Breath recovers the performative gesture of the original bandoneon to develop a completely different sonic and musical language. The bandoneon’s bellows transform and manipulate samples and synthesizers specially programmed for the work. In this way, the flow of air modifies the sound and the light onstage through the movement of the body and the instrument’s breathing. The gesture of the instrument’s constant breathing introduces an organic sense of time into the sonic experience. At the same time, it affects the audience’s breathing rhythm, proposing a bodily response from the audience. The performance of the experimental bandoneon produces a luminous experience. The airmoving through the bellows not only gives body to the instrument’s sound, but also  alters the lighting specifically designed for the work. The bandoneon is a musical instrument of German origin that was reinterpreted in Argentina through the tradition of tango. In Breath, the bandoneon becomes the reinterpretation of a reinterpretation. It draws from tradition the gesture and visual presence of this distinctive instrument in order to develop its own musical language.

 
ABOUT THE ARTIST
Javier Bustos is an artist, composer, improviser, and teacher from Buenos Aires, Argentina. His work explores the poetics of listening and sound production through the use of new media and low-technologies operating at the intersection of experimental music, free improvisation, installation art, and multimedia performance. 
 

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