Painted in the Deccan, India’s central plateau, which was predominantly Hindu, but ruled by Turkic Muslims from Central Asia, this miniature reflects the complex cultural diversity of eighteenth-century India. The Deccan’s cities were home to people of different religions and cultures, including Persian artists, East African soldiers, and South Indian merchants. There was also religious exchange between Muslims and Hindus, as seen in this painting depicting women, whom scholars believe are Muslim, visiting a Hindu ascetic. He is surrounded by symbols of the god Shiva, and the group prays for a child. The painting further depicts intertwined elements of Muslim, Hindu, and Christian art in the intricately patterned textiles that reflect Persian influence and the landscape’s visual depth that shows influence from European painting. In addition, the tree’s strong lines and vivid color are typical elements of Rajput art, while the lavender and gold hues are Deccani.