This exhibition, one of the most complete historical portfolios of Havana’s notable buildings, presents architecture as a critical artistic and historical component of the city.
StoryCorps CEO Robin Sparkman ’91 discusses the power of storytelling to create empathy and bridge divides and how StoryCorps brings people together to have the most meaningful conversations of their lives.
This symposium brings together a conservator, a curator, and a recent Wellesley graduate to offer new insights on the painting Holy Family with St. Catherine, St. Sebastian, and a Patron.
The capstone in a series of three conversations via Skype between Davis curators and artists Haley Morris-Cafiero, Habiba Nowrose, and Fatimah Tuggar.
Newhouse Center faculty fellow Carol Dougherty discusses her ongoing research project on the Sophocles play Antigone and the challenges of democracy.
Bathsheba Demuth, an environmental historian at Brown University, examines the cosmologies that indigenous Yupik and Inupiaq whalers, capitalist commercial whalers, and communist industrial whalers composed around the animals they hunted.
Who will emerge as the front runner after the next Democratic debate? What will be the most debated points and policy stances Join Wellesley faculty for a debrief, conversation, and Q&A. Pizza lunch will be provided.
A look at the history of Anglo-American iconoclasm and contemporary “progressive” iconoclasm in the U.S.
In this talk Peter Baehr describes Rebecca West’s distinctive brand of liberalism, marked by: individualism against conformism, freedom against censorship, responsibility against immaturity, and empathy against incredulity.
