Deceiving Dragons: Affecting Tradition in Korean Contemporary Arts
Ambivalence stands at the heart of what can be considered the act of “inventing tradition” in contemporary Asian arts, a creative practice of self-fashioning one’s cultural sense of belonging at the local or national level. Particular attention should be paid to the way in which the act of invention plays out against the globalist system of representation in which Asian arts are often essentialized as signs of “Asianness,” an Orientalist construct of otherness that coheres into the world picture that privileges the Occidental gaze.
Jieun Rhee is a professor of Art History at Myongji University in Seoul, South Korea. She is a 2019-2020 faculty fellow at the Newhouse Center for the Humanities.
Nov 11, 2:30–3:45 PMRemembering the Battle of Greasy Grass, aka The Battle of Little Bighorn
Newhouse Center fellow and WGST professor Elena Creef presents a visual record of a sacred, weeklong Native American Prayer Ride in commemoration of General Custer's defeat at Greasy Grass, aka Little Bighorn, in 1876.Event Date:Wednesday, November 11, 2020 -2:30pm to 3:45pm
Oct 8, 2:45–4 PM
Nov 17, 2:30–3:45 PMCrystal Fleming ’04: On the Illegibility of French Antiblackness
The virtual colloquium series Addressing Racism and Anti-Blackness in French and Francophone Studies features eminent scholars examining the role race plays in systems of power and thought in French and Francophone Studies.Event Date:Tuesday, November 17, 2020 -2:30pm to 3:45pm
Oct 7, 2:30–3:45 PMPhilippe Blanchet: Glottophobie: discriminations à prétexte linguistique
The virtual colloquium series Addressing Racism and Anti-Blackness in French and Francophone Studies features eminent scholars examining the role race plays in systems of power and thought in French and Francophone Studies.Event Date:Wednesday, October 7, 2020 -2:30pm to 3:45pm