Deceiving Dragons: Affecting Tradition in Korean Contemporary Arts
Ambivalence stands at the heart of what can be considered the act of “inventing tradition” in contemporary Asian arts, a creative practice of self-fashioning one’s cultural sense of belonging at the local or national level. Particular attention should be paid to the way in which the act of invention plays out against the globalist system of representation in which Asian arts are often essentialized as signs of “Asianness,” an Orientalist construct of otherness that coheres into the world picture that privileges the Occidental gaze.
Jieun Rhee is a professor of Art History at Myongji University in Seoul, South Korea. She is a 2019-2020 faculty fellow at the Newhouse Center for the Humanities.
Nov 19, 4–5:15 PM
Dec 3, 4–5:15 PMTransatlantic Pacts: America and the Production of Postwar French Literature
Newhouse Center fellow Sara Kippur (Associate Professor of French, Trinity College) will host a workshop-style presentation on her ongoing research project, a transatlantic literary history of postwar French literature.Event Date:Thursday, December 3, 2020 -4:00pm to 5:15pm
Nov 17, 2:30–3:45 PMCrystal Fleming ’04: On the Illegibility of French Antiblackness
The virtual colloquium series Addressing Racism and Anti-Blackness in French and Francophone Studies features eminent scholars examining the role race plays in systems of power and thought in French and Francophone Studies.Event Date:Tuesday, November 17, 2020 -2:30pm to 3:45pm
Oct 28, 2:30–3:45 PM