A textured pink canvas features a phone displaying a classic portrait surrounded by gold chains and spikes. The composition is vibrant and modern.
Detail. Yvette Mayorga, Pinknologic Anxiety (After Francois Boucher, Madame de Pompadour, c. 1755), 2020, Acrylic piping and collage on canvas, Museum purchase, The Dorothy Johnston Towne (Class of 1923) Fund 2024.17a-c. Courtesy of the artist.

Modern and Contemporary Art

February 6 — May 24, 2026

Time 11:00 AM - 5:00 PM
Where Davis Museum Lawrence and Ina Lee Brown Ramer Gallery;
Davis Museum Harold and Estelle Newman Tanner Gallery

The newly reinstalled long-term galleries dedicated to modern and contemporary art at the Davis reflect how faculty teach art across the disciplines at Wellesley. Instead of a chronological organization, the sections address themes that emerge from the College’s curriculum and the collection’s strengths: Modern Fragments, The Label, An Eye for Materials, Plane and Grid, Dream and Gesture, and Contemporary Art.

In Modern Fragments, select paintings and sculptures suggest just a few of the ways that artists reacted to the radical upheavals that characterized the modern age. A Label reminds visitors to read texts that they encounter in museums critically. Artworks in An Eye for Materials share nothing beyond an experimental embrace of materials. The Davis’s collection is especially strong in post-World War II abstraction from the Americas. Plane and Grid features artists whose primary focus was on precision and calculation, and on grids and systems as governing structures. Meanwhile, Dream and Gesture unlocks personal, emotional, and even unconscious forces. The artists featured in Contemporary Art all remain active in the art world, and the selected works all entered the collection in the past fifteen years. They reveal the Museum’s expanding aspiration to represent voices from the entire globe, as well as from diasporic communities in the United States. These contemporary works challenge standard narratives while also forging connections with objects elsewhere in the collection, from all periods.

Curated by James Oles, Adjunct Curator of Latin American Art and Associate Teaching Professor in Art, this exhibition was made possible with funds from the Mellon Endowment for Academic Programs, Helyn MacLean Program Fund for Contemporary and South Asian Art, Amos W. Stetson Fund, Mary Tebbets Wolfe ’54 Davis Museum Program Fund, and Wellesley College’s Friends of Art. A label writing workshop with Juening Mao ‘26, Elle Scheffel ‘26, Ruofan Wang ‘27, and Alesia Zhou ‘26, received the generous support of the Art Department.

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