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Artist Lorraine O’Grady ’55 spent a week in residence at Wellesley this year, working closely with students. “As much as she has taught us, Lorraine told me that her priority was to continue learning — to hear from thinkers of all ages,” said Amanda Gilvin, curator of O’Grady’s “both/and” show at the Davis Museum.
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Lorraine O’Grady ’55 developed a loyal following for artworks that often proved unclassifiable. Her art critiqued racism, misogyny, and privilege, but it did so using methods that were ambiguous and occasionally even tough to interpret. She spoke frequently of wanting to use what she called “both/and thinking” that stood against Western systems.