• Illustration of Newton’s Cradle with the ball on one end representing AI and the ball on the other end representing the earth.
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    Wellesley faculty and alumnae are on the forefront of shaping how we coexist with AI—a space that has quickly become ripe for innovation, regulation, and deep thinking on ethics.

  • 2024.04.01 Volić voting gerrymandering Time Magazine

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    Ismar Volić, professor of mathematics, discusses gerrymandering in the United States and voter-led efforts to redefine representative districts.

  • Three actors on the stage during the play Saturday Night/Sunday Morning.
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    Wellesley’s Upstage Theatre Presents “Saturday Night/Sunday Morning.”

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    Six months after graduating, 97% percent of the class of 2023 were employed, enrolled in graduate school, involved in a formal service/volunteer program, or serving in the military.

  • Two student sit inside Global Flora, surrounded by plants and writing in their notebooks.
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    Professor Alison Hickey hopes her class inspires students to “think about their own relation to nature.”

  • Two students look at each other in surprise.
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    Students, faculty and staff share the news that members of the class of 2028 are on their way to Wellesley!

  • 2024.03.13 Rosenwald Ralph Waldo Emerson biography review The New York Times

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    Professor emeritus Lawrence Rosenwald reviews James Marcus’s new biography of Ralph Waldo Emerson in the context of the wider canon of work about the great Transcendentalist.

  • 2024.03.11 O’Grady '55 Both/And exhibit Davis Museum Forbes

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    “Lorraine O’Grady: Both/And” marks the first major career survey of the conceptual artist whose work challenges common understandings around gender, race, and class.

  • Michael Abels gestures with his hands and looks to his right at a person out of the frame.
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    Pulitzer Prize-winning composer Michael Abels, who scored writer and director Jordan Peele’s three horror films—“Get Out,” “Us,” and “Nope”—recently spent time in residence at the Suzy Newhouse Center for the Humanities.