l(EngliAnne Allen sh, London 1750 - ?), after Jean-Baptiste Pillement (French, Lyon 1728 – 1808)  Nouvelle Suitte de Cahiers chinois…a l’usage des déssinateurs et des Peintres c. 1796-98. Series of 5 etchings, each with two copperplates inked à la poupée in colors. 2010.103.1-.5
Samantha Simpson (b. 1968, Alberta, Canada), A Promise is a Promise, 2009. Etching with chine collé 20 x 16 in. (image); 28 x 23 in. (sheet) 9/40 Printed by James Stroud, assisted by James Mustin; Published by Center Street Studio, Milton, MA Museum purchase, Erna Bottigheimer Sands (Class of 1929) Art Acquisition Fund, 2010.102
Francis Alÿs in collaboration with Juan García and Emilio Rivera, Cityscape, 1996-97. (detail) Oil on panel (4.5 x 6 inches) and enamel on galvanized steel (García, 36 x 51.5 inches; Rivera, 30 x 37.25 inches), Museum purchase with funds provided by Wellesley College Friends of Art.

Recent Acquisitions

One of the oldest academic museums in the U.S., located at one of the nation’s first colleges to offer a baccalaureate degree in the history of art, the Davis Museum collections represent a foundational emphasis on the importance of direct experience with authentic art objects that remains vital. Today, the Davis holdings include nearly 11,000 objects, with areas of strength in painting, sculpture, works on paper, photography, and decorative objects, from antiquity to the present day.

The Davis actively collects works of art through gifts and purchases that are responsive to our mission, that demonstrate excellence and diversity, art historical and aesthetic significance, and relevance to curricular emphases and research interests. The strategic development and vitality of the collections are major priorities, as are the responsibilities of stewardship for posterity.