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Dell Hamilton

Dell Marie Hamilton

The Process Is the Place, The Process is Errant

Dell Marie Hamilton

Jewett Art Gallery
January 26 - March 19, 2023
 
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white-walled, wood floor gallery space strewn with piles of paper and other material; on the far wall is a large paper collage, on the back wall three patterned fabrics are hanging; in the foreground, a video screen on a pedestal shows a person walking along a square marked on the floor
 
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Primarily recognized for her work in performance art, Dell Marie Hamilton also uses a variety of other media, including painting, drawing, photography, installation, and video, in addition to archival and curatorial practices. Her highly interdisciplinary practice is reflected in the way she follows threads of research and chance encounters to create pieces embedded with tangles of meaning. Ideas may be prompted by a photo found in an institutional archive, a metaphor from a Toni Morrison novel, materials from a failed project, research into a canonical Bruce Nauman artwork, lyrics from a Beyoncé song, work seen at a biennial, the history of a specific place, the work of Black women scholars in and beyond the arts, and more. Hamilton remains open to the information and histories around her, working intuitively until the piece begins to cohere and to create its own logic. Materials and gestures are chosen for their physical presence as well as their historical and cultural referents.
 
For the first half of the Spring '23 semester, Hamilton took up residence in the Jewett Art Gallery, utilizing it as a studio for the development of new work, rather than a static exhibition space. She returned repeatedly to the space throughout the course of the show, bringing materials in, rearranging them in new ways, experimenting with scale, suspension, and the occupation of space. Repeat visitors were able to see several artworks taking form, including large 2D wall works and video documentation of performances, and students were able to see the way that artwork can coexist with and emerge from seeming chaos. By putting the typically solitary work of the artist in their studio on public display, Hamilton made visible the challenges and questions that are embedded in the complex nature of art-making.
 
Dell Marie Hamilton has performed extensively throughout the New England area and is a recipient of the ICA/Boston's 2021 Foster Prize. Her work has appeared in Hyperallergic, Art in America, and NKA: Contemporary Journal of African Art as well as in the anthology AntiBlackness, edited by Moon-Kie Jung and Joao H. Costa Vargas, which was published by Duke University Press in 2021. She is a recipient of the U.S. Latinx Art Forum's 2021 inaugural cohort of the Charla Fund, a Ford Foundation-sponsored initiative that provides grants to Latinx artists. She also works on a variety of research and curatorial projects at Harvard University's Hutchins Center for African and African American Research.
 
This exhibition was on view in the Jewett Art Gallery from January 26 through March 19, 2023.
 
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close up on a white pelvis form with shredded paper stuffed in the top, blue tulle, fake hair, and finger cots cascading out of it from below; a messy gallery is visible blurrily behind the form
 
at right a view from below a suspended form, with fibers and finger cots in a sort of hanging torus of tulle; at left a slightly blurry low view of a person in a bright orange shirt, burgundy leggings, and green and white leg warmers, sitting in a chair
 
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