Julia Marciari-Alexander '89 Lecture
Sophie Kerwin '16 speaks at the 8th Undergraduate Art History Symposium
Dr. Ruth Morris Bakwin Class of 1919 Art Lecture
Ken Lapatin "Why Fakes Matter: Authenticity in Ancient Art"
Ken Lapatin is the Associate Curator for Antiquities at the Getty Villa.
Location: Jewett Sculpture Court
On View: January 25 to February 26, 2016
Opening Reception: Tuesday, January 26th 4 - 6 pm
Artist Talk: Thursday, February 25th, 12:30 - 1:30pm JAC 450
Jenny Yurshansky will speak in Jewett Arts Center 450 at 4:30 PM on Monday, September 28.
This multi-modal project stems from the ground research of collecting, studying, and digging into the histories of invasive plant species in Claremont, California. Restricting my investigation to vegetation classified as invasive by the California Invasive Species Advisory Committee, I was able to determine which invasive species have infiltrated the local area.
At its root the project investigates the distinction between native versus invasive species. The discourse surrounding a list of "invasive" or "alien" flora species has interesting and fruitful correlations to policies regarding immigration, multiculturalism, and evolving ideas about national identities that are inherently tied to the identity of border cultures and specifically California, a location that has carried the name of a number of nations throughout the historical record.
Artist bio: Jenny Yurshansky is an American artist who was born in Rome. She received her MFA in Visual Art from UC Irvine and was a participant in the post-graduate Critical Studies course at the Malmö Art Academy. She is the co-founder of Persbo Studio, an artist residency, sculpture park, and creative space in Sweden. In 2014 she was an Artist-in-Residence at Pitzer College Art Galleries, developing a site-specific project for a solo show in 2015. This year she has been a Guest Artist Researcher at the Royal Institute of Art in Stockholm. In 2010 Yurshansky was the first international artist awarded the Maria Bonnier Stipend from Bonniers Konsthall in Stockholm, the prize was awarded along with an exhibition. Yurshansky has also participated in group shows at the Aldrich Museum of Contemporary Art, Laguna Beach Art Museum, MAK Center, and LAXART, the Torrance Art Museum, the Armory Center for the Arts, the 7th Istanbul Biennial, the Hammer Museum, Rooseum Center for Contemporary Art in Malmö, and the Toyota Museum. She is the recipient of numerous artist and curatorial grants. More information is available at www.jennyyurshansky.com.
The Jewett Arts Center is the recipient of a grant through the Getty Foundation's 2015 "Keeping It Modern" conservation initiative. Professor Alice Friedman is principal investigator on the grant team and Professor Martha McNamara is the on-campus project director. They will be working with consultants Timothy Rohan, author of The Architecture of Paul Rudolph, and David Fixler, a highly-regarded expert on the restoration of mid-century modern architecture in America.
Learn more about the grant in this Wellesley News story.
Modernism in New England
Saturday, March 5th
9:00 – 4:30
Collins Cinema, Wellesley College
A symposium funded by the Barra Foundation and co-sponsored by the Grace Slack McNeil Program for Studies in American Art at Wellesley College and Historic Deerfield, Inc.
The Wellesley-Deerfield Symposium will explore the impact of Modernism on New England’s art and architecture. Though long stereotyped as a bastion of conservative culture and overshadowed by milestone events such as New York City’s 1913 Armory Show, twentieth-century New England was home to a vibrant group of visual artists, architects, curators, collectors, and educators who embraced Modernism and looked for ways to develop its tenets and new media as a regional expression. Illustrated presentations by scholars from across the country will address the influence of Modernism on New England architecture, city planning, interior design, and the visual arts during the twentieth century.
The symposium is free and open to the public but seating is limited. To register in advance please sign up here
To download a copy of the Symposium Program click here