Writing Program
Academic Program Introduction
Writing is a powerful tool for building knowledge and engaging with the world. All students take one semester of First-Year Writing (FYW), working closely with faculty who offer a lively, practical introduction to college-level academic writing. Courses are designed around a wide array of inspiring topics, and they provide a supportive community in which students share their ideas, practice writing and revision, conduct research, and develop speaking and presentation skills.
Beyond FYW courses, the program offers an advanced writing workshop and tutorial as well as a selection of upper-level writing courses. It also operates a thriving peer writing-tutor program.
Learning goals
Students who have completed a first-year writing course will be able to:
- Approach writing as an evolving process that requires brainstorming, drafting, sharing, reflecting, and revision.
- Understand the mechanisms of sentence structure and writing design that produce precise and reader-friendly prose.
- Write with an attentiveness to genre, medium, and audience.
- Make appropriate choices regarding language, register, evidence, and argument.
- Locate, analyze, and evaluate different types of sources, and integrate them into evidence-based writing.
- Write with purpose and have a stake in their ideas.
Research highlights
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In Expanding Natick History (2022–2023), a project directed by Lecturer Erin Battat in partnership with the Natick Historical Society, students researched the colonization of the town of Natick, created public activities at the Natick Farmers Market, and facilitated conversations with local residents about the past and how it is remembered today.
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Senior Lecturer Heather Corbally Bryant recently published her 11th collection of poetry, The Coffin Makers (Finishing Line Press, 2023).
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Senior Lecturer Justin Armstrong’s book Anthropology, Islands, and the Search for Meaning in the Anthropocene was published by Routledge in 2022.
Course Highlights
Romantic (and Unromantic) Comedy
WRIT140
"Boy meets girl" has long been a classic starting point, in both literature and the movies. This course will focus on romantic comedy in American cinema, with significant looks backward to its literary sources. We will view films from the classic era of Hollywood (It Happened One Night, The Lady Eve), the revisionist comedies of the 1970s and beyond (Annie Hall, My Best Friend's Wedding), and perhaps some of the decidedly unromantic comedies of recent years (Knocked Up). We will also read one or two Shakespeare plays, and a Jane Austen novel, to get a sense of the literary precedents that established the paradigms within which cinematic comedy operates.
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Black Feminism and the Future
WRIT178
In this course, we will examine Black feminist essays and speculative fiction as resources for thinking about the future of feminism and its impact on the broader culture. These texts are helping to shift paradigms of what is understood by the term “feminism”. They also contain critical information that students need not just to survive but thrive in the future. We will discuss how these works offer new ways to think about kinship, gender, reproductive rights, abolition, and representations of selfhood. In addition, they will provide a springboard for looking inward to our own lives and perspectives, as we explore how writing, reading, and action are influenced by the personal. Indeed, if the “personal is political,” as Audre Lorde aptly stated, then what we write from our own experience can shape and change our world. -
The growing field of data humanism recognizes data as foundational to our economic, political, and social systems, while also seeking to recenter people in the process of its curation. In this course, we will explore the use of data through a humanistic lens, not only to better understand the critical role data plays in our lives, but also to discover how we can use data to become more humane. We will ask: if the word data comes from the Latin root for “the thing given,” by and to whom is it given? When exactly did data get “big”? What do we mean when we identify projects as “data-driven”? How can data intersect with social justice activism? And with art and storytelling? Students will engage these questions by drawing on the work of historians, cultural critics, journalists, social scientists, data analysts and designers, performing their own data tracking, and using their research to craft opinion pieces, reviews, reports, and other forms of public writing.
Opportunities
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Writing tutors
Students of all class years can meet with trained peer tutors to discuss any aspect of their writing or the writing process. Rising sophomores, juniors, and seniors may apply to work as a tutor and contribute to the strong writing culture at Wellesley.
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Internships
The Writing Program and the Department of English and Creative Writing jointly sponsor funded summer internships at Slate, W.W. Norton & Company, Maven Screen Media, Calligraph, and Speculum.
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Prizes
The Writing Program recognizes excellence through awards for first-year writing, and writing in the sciences, social sciences, and arts and humanities. These awards are generously endowed by the Three Generations Fund. The program also administers the Rebecca Summerhays Award for Growth in Writing.
Writing Program
106 Central Street
Wellesley, MA 02481